Driven and passionate professional with a strong interest in visual effects. Brings a hardworking and highly motivated approach to every project. Quick learner and adaptable team player, thrives in new environments. Eager to contribute to a creative and passionate team of artists working on feature films. Diverse background in various post-production roles, including roto, prep, prep supervision, and compositing on large-scale feature film projects. Possesses a wide range of experience that enables excellence in this field.
Working as a compositor currently doing background replacement, addition of CG effects/assets into shots
Shows that I worked on Ultraman, Echo, Transformer One
Working as a compositor currently doing background replacement, addition of CG effects/assets into shots
Shows that I worked on Locke and Key, Skyline3, Kaleidoscope
As a Senior Compositor, I specialize in background replacement and integrating CG effects and assets into shots. I develop Gizmos to streamline workflows for similar shots, mentor junior compositors, and collaborate with international teams on shot feedback. My work includes contributions to 47 Meters Down: Uncaged, Super Me, and Piggy BingBing.
As a Compositor, I specialize in seamlessly integrating visual elements into film shots, including background replacement and the addition of CG effects and assets. My experience spans a range of high-profile productions, such as The World's End, Cuban Fury, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Part 1 & 2, Fast & Furious 6, Mission: Impossible - Rogue Nation, Godzilla, and Spectre.
Highly skilled Roto/Prep Artist with a proven track record on high-profile films such as Scott Pilgrim vs. the World, Captain America, John Carter of Mars, and Snow White and the Huntsman. Expertise includes leading teams, managing workflows, and delivering high-quality roto, prep (including object removal and wire cleanup), and compositing work. Adept at training artists, fostering collaboration, and consistently exceeding expectations under tight deadlines.
As a Roto Artist, I contributed to several high-profile films, including Prince of Persia, The Sorcerer's Apprentice, Attack the Block, and Paul, creating mattes for prep artists. On Scott Pilgrim vs. the World, I served as the Roto Lead, overseeing the quality of roto mattes from artists before delivery to London. This involved detailed communication with the London team to clarify briefs and ensure accurate execution. Simultaneously, I gained valuable experience in prep work, including removing crash mats and wires.
As an IBM Business Partner, I work with IBM products and software, providing design and pre-sales technical support. My responsibilities include UI/UX design for web portals and prototypes, creating proposals, and designing marketing materials such as brochures and business cards.
My role as a Photoshop Artist involved creating alpha maps from photographs of models for character and object animation, often requiring texture painting for 3D objects based on the Technical Director's specifications.
I redesigned and migrated a local company's web portal from IBM Websphere to Microsoft SharePoint, designing the front-end interface based on user requirements. Additionally, I designed and developed a Microsoft SharePoint portal for an international food branding company, also focusing on user-centered front-end design.
I integrated disparate banking systems using an EAI product (Mercator), translating messages into a common SWIFT format and monitoring communication via MQ Series. Additionally, I redeveloped the internet/intranet for a local generation company using JSP and Java, customizing IBM WebSphere to simplify content management.
I developed a state-of-the-art, multi-channel portal for Relationship Managers and clients, providing services such as news/quote feeds, real-time equity order transactions, and news alerts. As a development team member, I designed and built the web interface using JSP in BroadVision.